Daily Inspiration Quote by Ajay Devgan

Devgn is doing something quietly strategic here: normalizing the fear of being called a copycat while also gently shifting the blame away from individual creators. By framing “abroad” as a place that has “covered pretty much all subjects,” he turns originality into a math problem with too few remaining variables. It’s not that Indian filmmakers lack imagination; it’s that the global entertainment machine has already stress-tested every plot permutation.

The intent feels defensive but not defensive-sounding. He’s offering cover for an industry that lives under constant comparison to Hollywood and other big export cinemas, where audiences now have instant access to the same story beats across languages and platforms. The line “every possibility, every twist” exaggerates on purpose; it’s hyperbole that creates an alibi. If everything’s been done, then resemblance isn’t theft, it’s coincidence or convergent evolution.

The subtext is also about power. “Abroad” functions as a shorthand for cultural dominance: the places with bigger budgets, louder marketing, and a deeper archive of globally circulated genres. In that ecosystem, a similar idea isn’t just similar; it’s legible as derivative because the foreign version is the one people remember. Devgn’s point anticipates the unfair asymmetry of recognition.

Contextually, it reads like an actor’s pragmatic industry talk rather than an auteur’s manifesto. He’s acknowledging how formula, genre, and market pressure work, while trying to protect the legitimacy of local storytelling in a world where originality is policed like a moral virtue but produced like a commodity.