"Accomplishments have no color"
About this Quote
“Accomplishments have no color” lands with the clean authority of someone who spent a career being told, implicitly and explicitly, that they did. Leontyne Price isn’t offering a feel-good slogan; she’s issuing a correction from inside the machine of American prestige culture, where opera houses, conservatories, critics, and patrons long treated Black excellence as either novelty or provocation.
The line works because it’s both idealistic and defiant. On the surface, it asserts an obvious moral claim: merit should be judged on merit. Underneath, it’s a strategic refusal to let racism dictate the terms of recognition. Price doesn’t plead for inclusion; she reframes the whole scoreboard. “Color” is cast as an irrelevant attribute next to the evidence of craft, discipline, and artistry - the stuff that actually fills a hall. That’s a subtle power move from a performer whose voice forced institutions to reconcile their stated standards with their segregated habits.
Context matters: Price rose to international fame in an era when Marian Anderson had only recently broken barriers and when “firsts” were still treated as headlines rather than harbingers. Her career at the Metropolitan Opera wasn’t just a triumph of talent; it was a stress test for the culture’s claims about universality. The subtext is blunt: if you can hear greatness and still see only race, the failure isn’t hers - it’s yours.
The line works because it’s both idealistic and defiant. On the surface, it asserts an obvious moral claim: merit should be judged on merit. Underneath, it’s a strategic refusal to let racism dictate the terms of recognition. Price doesn’t plead for inclusion; she reframes the whole scoreboard. “Color” is cast as an irrelevant attribute next to the evidence of craft, discipline, and artistry - the stuff that actually fills a hall. That’s a subtle power move from a performer whose voice forced institutions to reconcile their stated standards with their segregated habits.
Context matters: Price rose to international fame in an era when Marian Anderson had only recently broken barriers and when “firsts” were still treated as headlines rather than harbingers. Her career at the Metropolitan Opera wasn’t just a triumph of talent; it was a stress test for the culture’s claims about universality. The subtext is blunt: if you can hear greatness and still see only race, the failure isn’t hers - it’s yours.
Quote Details
| Topic | Equality |
|---|
More Quotes by Leontyne
Add to List





