"Acting and writing go together. Actors write because they love words and becoming other people - we love to escape into other characters"
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York’s line is a quiet defense of the actor’s inner life at a time when performers, especially women, were often treated as interpreters rather than authors. She’s refusing that hierarchy. “Acting and writing go together” doesn’t just link two crafts; it smuggles in a claim to intellectual ownership. An actor isn’t merely a vessel for someone else’s language. She’s someone for whom language is the engine of transformation.
The phrasing is telling: “love words” comes before “becoming other people,” as if vocabulary is the doorway, not the decoration. York isn’t romanticizing fame or “the craft” in a lofty way; she’s naming the practical pleasure that keeps actors alive between roles. Writing becomes a private stage where you can keep working even when the industry isn’t calling. For an actress whose career spanned the prestige-leaning British cinema of the 1960s and the harsher, more market-driven turns that followed, that matters: writing is agency.
Then there’s the confession tucked into the plural “we”: “we love to escape.” It’s not just about empathy, the respectable reason actors give. It’s about relief. Characters offer a sanctioned exit from the self, from scrutiny, from the public’s constant reading of your face. York makes that sound less like pathology than like a survival instinct - a creative version of slipping out the side door, only to return with better lines.
The phrasing is telling: “love words” comes before “becoming other people,” as if vocabulary is the doorway, not the decoration. York isn’t romanticizing fame or “the craft” in a lofty way; she’s naming the practical pleasure that keeps actors alive between roles. Writing becomes a private stage where you can keep working even when the industry isn’t calling. For an actress whose career spanned the prestige-leaning British cinema of the 1960s and the harsher, more market-driven turns that followed, that matters: writing is agency.
Then there’s the confession tucked into the plural “we”: “we love to escape.” It’s not just about empathy, the respectable reason actors give. It’s about relief. Characters offer a sanctioned exit from the self, from scrutiny, from the public’s constant reading of your face. York makes that sound less like pathology than like a survival instinct - a creative version of slipping out the side door, only to return with better lines.
Quote Details
| Topic | Writing |
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