"Action scenes get me so excited, and my adrenaline starts pumping"
About this Quote
There is something almost disarmingly candid about a model admitting she chases the same visceral rush as the audience. Jodi Lyn O'Keefe frames action not as craft or even spectacle, but as a bodily event: excitement, adrenaline, pumping. The language is simple on purpose. It sidesteps actorly prestige talk and lands in the gut, where action cinema actually lives. In an industry that often asks women to narrate their careers in terms of beauty, taste, or “empowerment,” she chooses physiology. That choice is the tell.
The intent reads as both personal and strategic. Personally, it signals genuine enthusiasm for kinetic work - the kind that looks exhausting and feels risky, even when it’s choreographed. Strategically, it’s a bid to be seen as game, not delicate; capable of matching the intensity typically reserved for male leads. “Action scenes” becomes shorthand for stamina, fearlessness, and fun, a way of positioning herself closer to stunt-adjacent credibility than to passive glamour.
The subtext is about permission. Women in screen worlds are frequently slotted as reactions rather than agents, screaming rather than sprinting. O'Keefe’s line flips that: the scene doesn’t happen to her; it activates her. In the late-90s/2000s ecosystem where models and actresses were routinely policed for being “just a face,” insisting on adrenaline is a quiet rebuttal. She’s not asking to be taken seriously; she’s saying she’s already fully in it, heart racing like everyone else.
The intent reads as both personal and strategic. Personally, it signals genuine enthusiasm for kinetic work - the kind that looks exhausting and feels risky, even when it’s choreographed. Strategically, it’s a bid to be seen as game, not delicate; capable of matching the intensity typically reserved for male leads. “Action scenes” becomes shorthand for stamina, fearlessness, and fun, a way of positioning herself closer to stunt-adjacent credibility than to passive glamour.
The subtext is about permission. Women in screen worlds are frequently slotted as reactions rather than agents, screaming rather than sprinting. O'Keefe’s line flips that: the scene doesn’t happen to her; it activates her. In the late-90s/2000s ecosystem where models and actresses were routinely policed for being “just a face,” insisting on adrenaline is a quiet rebuttal. She’s not asking to be taken seriously; she’s saying she’s already fully in it, heart racing like everyone else.
Quote Details
| Topic | Excitement |
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