"Actually I don't remember being born, it must have happened during one of my black outs"
About this Quote
Morrison turns the most solemn origin story into a throwaway punchline, and that’s the point: he’s mocking the idea that identity starts with a clean, narratable beginning. “Actually” lands like a correction to an invisible interviewer, a sly insistence that even the most basic facts about the self are already compromised. Then comes the comic escalation: birth, the one event everyone can “claim” without memory, is reframed as just another lost night. The joke is built on an impossible comparison, but it reveals a very real posture - the self as a series of gaps.
The subtext is classic Morrison: mythmaking through self-erasure. By framing birth as a blackout, he collapses innocence into intoxication, suggesting that consciousness arrives already bruised, already unreliable. It’s also a neat bit of defensive glamour. If you can’t remember your beginning, you can’t be pinned down by biography, family, or explanation. You become a performance, a fugitive from tidy causality.
Context matters. Late-60s rock culture prized excess as authenticity, and Morrison’s public persona fed on that feedback loop: the poet-shaman who might transcend you or vomit on your shoes, sometimes in the same set. The line plays like an offhand quip, but it’s a manifesto for a generation suspicious of official narratives and drawn to altered states as both rebellion and refuge. It’s funny because it’s absurd; it sticks because it’s a dare: if memory is shaky, maybe the “real” you is, too.
The subtext is classic Morrison: mythmaking through self-erasure. By framing birth as a blackout, he collapses innocence into intoxication, suggesting that consciousness arrives already bruised, already unreliable. It’s also a neat bit of defensive glamour. If you can’t remember your beginning, you can’t be pinned down by biography, family, or explanation. You become a performance, a fugitive from tidy causality.
Context matters. Late-60s rock culture prized excess as authenticity, and Morrison’s public persona fed on that feedback loop: the poet-shaman who might transcend you or vomit on your shoes, sometimes in the same set. The line plays like an offhand quip, but it’s a manifesto for a generation suspicious of official narratives and drawn to altered states as both rebellion and refuge. It’s funny because it’s absurd; it sticks because it’s a dare: if memory is shaky, maybe the “real” you is, too.
Quote Details
| Topic | Dark Humor |
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