"Actually 'Soon' has more than the Left Behind series, but I really believe less is more"
About this Quote
The line lands like a quiet prank from a man best known for excess. Jerry B. Jenkins co-authored the Left Behind juggernaut, a franchise that turned end-times theology into airport-thriller propulsion: many books, many plot turns, many capital-E Events. So when he jokes that "Soon" has "more than the Left Behind series", he is winking at the machinery of his own career - the industrial scale of modern series writing, the expectations of readers trained to want the next installment, the next cliffhanger, the next escalation.
The key word is "Actually", a conversational throat-clear that pretends to correct a fact while really setting up a tonal feint. "Soon" is presumably a slimmer, more focused work; claiming it has "more" than Left Behind is a deliberate mismatch between quantity and impact. Jenkins is talking about density: the idea that a lean narrative can carry more consequence per page than a sprawling saga. It is also a subtle statement about craft from someone often filed under commercial fiction rather than literary minimalism. By insisting "I really believe less is more", he tries to reclaim authority over pacing and restraint, as if to say: I can do apocalypse without bloat.
Underneath the modesty is an argument about attention economies. In a culture that rewards verbosity - longer series, bigger worlds, more lore - Jenkins pitches compression as a kind of integrity. The humor softens the self-critique, but the intent is serious: spectacle isn't the same as meaning, and sometimes the most persuasive prophecy is the one that doesn't overstay its welcome.
The key word is "Actually", a conversational throat-clear that pretends to correct a fact while really setting up a tonal feint. "Soon" is presumably a slimmer, more focused work; claiming it has "more" than Left Behind is a deliberate mismatch between quantity and impact. Jenkins is talking about density: the idea that a lean narrative can carry more consequence per page than a sprawling saga. It is also a subtle statement about craft from someone often filed under commercial fiction rather than literary minimalism. By insisting "I really believe less is more", he tries to reclaim authority over pacing and restraint, as if to say: I can do apocalypse without bloat.
Underneath the modesty is an argument about attention economies. In a culture that rewards verbosity - longer series, bigger worlds, more lore - Jenkins pitches compression as a kind of integrity. The humor softens the self-critique, but the intent is serious: spectacle isn't the same as meaning, and sometimes the most persuasive prophecy is the one that doesn't overstay its welcome.
Quote Details
| Topic | Writing |
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