"Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do them"
About this Quote
A veteran pop voice admits, almost sheepishly, that the job still requires homework. Lesley Gore’s charm here is in the casual demystification: the “funny thing” isn’t fame or legacy, it’s the very unglamorous reality that a career becomes a long-running syllabus. New songs mean new muscle memory. Old songs mean returning to versions of yourself you can’t quite inhabit the same way.
Joe’s Pub matters as subtext. It’s not an arena; it’s a room where you can hear people breathe, where irony and intimacy are part of the ticket price. In that setting, “rehearse” isn’t a technical chore, it’s an artistic stance: take the catalogue seriously enough to revise it. Gore signals that she’s not there to deliver a museum-grade “It’s My Party” reenactment. She’s there to make choices in the present tense.
The quote also nudges against the cultural script for women in pop, especially women whose biggest hits arrived young: either you freeze in amber or you disappear. Gore frames longevity as curiosity rather than nostalgia, giving herself permission to be a working musician instead of a commemorative object. “Rethink” is the operative word. It implies rearrangement, new phrasing, maybe even a new emotional angle on lyrics that once read as teenage melodrama but can land as adult memory, adult humor, adult bruise.
It works because it’s pragmatic and quietly defiant: the past is material, not a mandate.
Joe’s Pub matters as subtext. It’s not an arena; it’s a room where you can hear people breathe, where irony and intimacy are part of the ticket price. In that setting, “rehearse” isn’t a technical chore, it’s an artistic stance: take the catalogue seriously enough to revise it. Gore signals that she’s not there to deliver a museum-grade “It’s My Party” reenactment. She’s there to make choices in the present tense.
The quote also nudges against the cultural script for women in pop, especially women whose biggest hits arrived young: either you freeze in amber or you disappear. Gore frames longevity as curiosity rather than nostalgia, giving herself permission to be a working musician instead of a commemorative object. “Rethink” is the operative word. It implies rearrangement, new phrasing, maybe even a new emotional angle on lyrics that once read as teenage melodrama but can land as adult memory, adult humor, adult bruise.
It works because it’s pragmatic and quietly defiant: the past is material, not a mandate.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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