"Adam was placed in Paradise in perfect estate, and in the company of God's angels; God walked and did talk with him. He heard the voice, and beheld the presence of God"
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Paradise here isn’t a garden; it’s a political claim dressed as Genesis. John Jewel, a chief architect of the Elizabethan Church, writes like a man trying to stabilize a nation’s theology after decades of whiplash between Rome and reform. By painting Adam’s original condition as “perfect estate” and explicitly social - “in the company of God’s angels” - Jewel frames Christianity not as a ladder of mystical achievements but as a story of catastrophic loss. The force of the passage is sensory and legal at once: Adam “heard,” “beheld,” and even enjoyed conversation with God. That immediacy functions as an indictment of everything that came later.
The subtext aims at two targets. First, it disciplines human pride: if the first human, in ideal conditions, still fell, no later institution can credibly promise moral invulnerability. Second, it quietly undercuts Catholic sacramental mediation. Jewel’s emphasis on direct encounter - God “walked and did talk with him” - implies that closeness to God is not fundamentally a clerical product. It’s original, then ruptured, then (in Protestant logic) restored through grace rather than through an elaborate ecclesiastical apparatus.
Context matters: Jewel’s England was busy defining “true” continuity with the early church while rejecting Rome’s authority. Adam becomes the rhetorical baseline, a pre-denominational figure whose intimacy with God lets Jewel argue for what’s been lost and what must be recovered. The prose doubles down on certainty (“did talk,” “beheld”) because uncertainty was the enemy; ambiguity bred dissent. In a fractured religious marketplace, Paradise is deployed as a memory of unity - and a warning about how easily it can be squandered.
The subtext aims at two targets. First, it disciplines human pride: if the first human, in ideal conditions, still fell, no later institution can credibly promise moral invulnerability. Second, it quietly undercuts Catholic sacramental mediation. Jewel’s emphasis on direct encounter - God “walked and did talk with him” - implies that closeness to God is not fundamentally a clerical product. It’s original, then ruptured, then (in Protestant logic) restored through grace rather than through an elaborate ecclesiastical apparatus.
Context matters: Jewel’s England was busy defining “true” continuity with the early church while rejecting Rome’s authority. Adam becomes the rhetorical baseline, a pre-denominational figure whose intimacy with God lets Jewel argue for what’s been lost and what must be recovered. The prose doubles down on certainty (“did talk,” “beheld”) because uncertainty was the enemy; ambiguity bred dissent. In a fractured religious marketplace, Paradise is deployed as a memory of unity - and a warning about how easily it can be squandered.
Quote Details
| Topic | God |
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