"Advertising is the modern substitute for argument; its function is to make the worse appear the better"
About this Quote
A philosopher watching mass consumer culture come into focus, Santayana lands a line that still stings because it treats advertising not as persuasion’s harmless cousin, but as its hostile takeover. “Modern substitute” is the tell: argument belongs to a civic tradition where claims are tested against reasons, evidence, and shared standards. Advertising doesn’t merely skip that process; it replaces it with something faster and more scalable - association, repetition, vibe.
The second clause is where the knife turns. “Make the worse appear the better” doesn’t accuse advertising of occasional exaggeration; it defines its job as moral and epistemic inversion. “Worse” isn’t only inferior quality. It’s the product, policy, or person that can’t win on merit, so it borrows legitimacy from glamour, fear, status anxiety, or manufactured consensus. Santayana’s phrasing is almost classical: “appear” matters more than “be,” echoing an old philosophical worry that societies can drift from truth to image without noticing the exchange.
Context sharpens the critique. Santayana lived through the rise of department stores, national brands, and the early PR industry - the moment when persuasion became professionalized and industrial. The subtext is political as much as commercial: if advertising becomes a template for public speech, then democratic deliberation starts to look like marketing. Not an argument between citizens, but a competition between campaigns to control attention. In that world, “better” is whatever wins the frame, and “worse” gets a budget line and a jingle.
The second clause is where the knife turns. “Make the worse appear the better” doesn’t accuse advertising of occasional exaggeration; it defines its job as moral and epistemic inversion. “Worse” isn’t only inferior quality. It’s the product, policy, or person that can’t win on merit, so it borrows legitimacy from glamour, fear, status anxiety, or manufactured consensus. Santayana’s phrasing is almost classical: “appear” matters more than “be,” echoing an old philosophical worry that societies can drift from truth to image without noticing the exchange.
Context sharpens the critique. Santayana lived through the rise of department stores, national brands, and the early PR industry - the moment when persuasion became professionalized and industrial. The subtext is political as much as commercial: if advertising becomes a template for public speech, then democratic deliberation starts to look like marketing. Not an argument between citizens, but a competition between campaigns to control attention. In that world, “better” is whatever wins the frame, and “worse” gets a budget line and a jingle.
Quote Details
| Topic | Marketing |
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