"After Bound, we were offered a lot of lesbian thrillers"
About this Quote
Hollywood loves a label almost as much as it loves a proven revenue stream, and Andy Wachowski’s line lands like a dry punchline about both. “After Bound” names the moment the industry decided it had decoded the Wachowskis: not as filmmakers with range, but as a product category. The phrasing “we were offered a lot” is doing quiet work. It’s passive, slightly weary, the voice of someone watching doors open in the most narrowing way possible. Opportunity arrives, but pre-packaged.
The subtext is about how representation gets commodified. Bound (1996) wasn’t just “a lesbian thriller”; it was a stylish neo-noir with sex, suspense, and craft to spare. Yet the machine heard “lesbian” louder than “Wachowskis.” That’s the tell: the town’s imagination can handle queerness when it’s framed as a genre kink or a marketing angle, something to slot next to erotic thrillers and late-night cable heat. What it can’t easily do is let queerness simply be part of a filmmaker’s toolkit without turning it into their assigned beat.
There’s also a faint jab at Hollywood’s “progress”: the offers suggest appetite, even validation, but they also reveal a one-note idea of queer stories-as-exploitative intrigue. The irony is that the Wachowskis would later make work where identity explodes the boundaries of genre itself. Here, the industry tries to shrink them back down to a shelf tag.
The subtext is about how representation gets commodified. Bound (1996) wasn’t just “a lesbian thriller”; it was a stylish neo-noir with sex, suspense, and craft to spare. Yet the machine heard “lesbian” louder than “Wachowskis.” That’s the tell: the town’s imagination can handle queerness when it’s framed as a genre kink or a marketing angle, something to slot next to erotic thrillers and late-night cable heat. What it can’t easily do is let queerness simply be part of a filmmaker’s toolkit without turning it into their assigned beat.
There’s also a faint jab at Hollywood’s “progress”: the offers suggest appetite, even validation, but they also reveal a one-note idea of queer stories-as-exploitative intrigue. The irony is that the Wachowskis would later make work where identity explodes the boundaries of genre itself. Here, the industry tries to shrink them back down to a shelf tag.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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