"After having won a scepter, few are so generous as to disdain the pleasures of ruling"
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Power rarely arrives with a receipt you can return. Corneille’s line cuts through the classical ideal of the reluctant ruler - the Cincinnatus fantasy - and replaces it with a cooler anthropology: once you’ve “won a scepter,” virtue becomes a luxury item. The word “won” matters. This isn’t inherited duty or divine appointment; it’s conquest, effort, risk. After that kind of climb, the reward isn’t just authority but sensation: the “pleasures of ruling,” the daily, intimate gratifications of being obeyed, admired, deferred to.
Corneille, the great engineer of French classical drama, understood how quickly public honor becomes private appetite. His theater is full of characters who talk like moralists and act like strategists. The subtext here is a warning about self-mythology: people tell themselves they sought power for stability, justice, or the nation, then discover - too late or too comfortably - that rule offers its own narcotic. “Few are so generous” is a surgical insult, implying that the supposed nobility of restraint is mostly performance. Generosity, in this framing, would mean denying yourself what you’ve earned, an almost unnatural act.
The context is a 17th-century France consolidating monarchy and court culture, where spectacle and governance intertwine. Corneille isn’t just describing kings; he’s diagnosing a political ecosystem in which ambition dresses up as principle, and the hardest victory is not taking the throne, but refusing to enjoy it.
Corneille, the great engineer of French classical drama, understood how quickly public honor becomes private appetite. His theater is full of characters who talk like moralists and act like strategists. The subtext here is a warning about self-mythology: people tell themselves they sought power for stability, justice, or the nation, then discover - too late or too comfortably - that rule offers its own narcotic. “Few are so generous” is a surgical insult, implying that the supposed nobility of restraint is mostly performance. Generosity, in this framing, would mean denying yourself what you’ve earned, an almost unnatural act.
The context is a 17th-century France consolidating monarchy and court culture, where spectacle and governance intertwine. Corneille isn’t just describing kings; he’s diagnosing a political ecosystem in which ambition dresses up as principle, and the hardest victory is not taking the throne, but refusing to enjoy it.
Quote Details
| Topic | Leadership |
|---|---|
| Source | Help us find the source |
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