"After I exhausted the blues thing, I got into jazz"
About this Quote
The subtext is about appetite and limits. Blues, especially in postwar American guitar culture, often functions as origin story and credential. To say you exhausted it is to reject the idea that authenticity is a permanent home you move into. Quine implies a musician's obligation is not loyalty to a genre but pursuit of complexity: when the emotional vocabulary of blues starts to feel predetermined, you go looking for a language with more harmonic angles, more rhythmic argument.
Jazz, here, reads less like a snobbish upgrade than a new problem set. It's where improvisation stops being a vibe and becomes a discipline. Quine came up in a New York ecosystem that prized hybridization (punk, no wave, downtown art scenes), and his guitar playing carried that: sharp-edged, inquisitive, sometimes almost adversarial. The line works because it punctures the romance of endless blues authenticity and replaces it with a working musician's truth: growth can mean outgrowing your heroes, and moving on without apology.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Quine, Robert. (2026, January 15). After I exhausted the blues thing, I got into jazz. FixQuotes. https://fixquotes.com/quotes/after-i-exhausted-the-blues-thing-i-got-into-jazz-161439/
Chicago Style
Quine, Robert. "After I exhausted the blues thing, I got into jazz." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/after-i-exhausted-the-blues-thing-i-got-into-jazz-161439/.
MLA Style (9th ed.)
"After I exhausted the blues thing, I got into jazz." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/after-i-exhausted-the-blues-thing-i-got-into-jazz-161439/. Accessed 15 Feb. 2026.




