"After my mistress was dead, I lived most comfortably, my master having a great affection for me"
About this Quote
The subtext is about dependency and the brutal economics of household life. "Mistress" and "master" mark him as a servant (or at least a dependent) in a world where affection from the powerful is a kind of currency. When the mistress dies, the household hierarchy reshuffles; Lilly's position apparently rises because the master now directs attention - and resources - toward him. That "great affection" reads less like romance than patronage: protection, proximity, perhaps money, perhaps simply not being cast out. In an era when losing a place in a household could mean genuine precarity, comfort is a survival metric.
Calling Lilly a "celebrity" fits, too. As an astrologer with a public profile, he knew how to narrate himself for an audience that appreciated candor salted with self-interest. The line works because it refuses modern sentiments about mourning and instead exposes the older truth: death rearranges power, and some people land on the right side of the rearrangement.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Lilly, William. (2026, January 17). After my mistress was dead, I lived most comfortably, my master having a great affection for me. FixQuotes. https://fixquotes.com/quotes/after-my-mistress-was-dead-i-lived-most-59294/
Chicago Style
Lilly, William. "After my mistress was dead, I lived most comfortably, my master having a great affection for me." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/after-my-mistress-was-dead-i-lived-most-59294/.
MLA Style (9th ed.)
"After my mistress was dead, I lived most comfortably, my master having a great affection for me." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/after-my-mistress-was-dead-i-lived-most-59294/. Accessed 21 Feb. 2026.






