"After Strangelove I also started work on an adaptation of The Collector"
About this Quote
"After Strangelove I also started work on an adaptation of The Collector" reads like a shrug, but it’s really a mission statement for Terry Southern’s particular brand of literary mischief: follow a nuclear farce with a story about intimate captivity, and treat both as problems of taste, power, and control. Southern isn’t name-dropping; he’s triangulating his position in 1960s culture, where prestige film, transgressive fiction, and Cold War dread kept bleeding into one another.
The intent is quietly strategic. Dr. Strangelove was a breakthrough in making apocalypse legible through comedy; it proved that satire could speak in a register the public would actually listen to. By pivoting to John Fowles’s The Collector, Southern signals an attraction to the same underlying engine: the banality of domination. One story is about institutions sleepwalking toward annihilation; the other is about a private citizen turning desire into a locked room. The subtext is that the distance between public policy and personal pathology is thinner than we like to pretend. Different scale, same entitlement.
The line’s craft is in its flatness. "Also started work" reduces moral extremity to professional workflow, a tone that mirrors Strangelove’s own deadpan treatment of catastrophe. It’s Southern reminding you that the era’s great horrors could be packaged as projects, options, adaptations - cultural commodities. That’s the chill beneath the casualness: evil doesn’t always announce itself. Sometimes it drafts a screenplay.
The intent is quietly strategic. Dr. Strangelove was a breakthrough in making apocalypse legible through comedy; it proved that satire could speak in a register the public would actually listen to. By pivoting to John Fowles’s The Collector, Southern signals an attraction to the same underlying engine: the banality of domination. One story is about institutions sleepwalking toward annihilation; the other is about a private citizen turning desire into a locked room. The subtext is that the distance between public policy and personal pathology is thinner than we like to pretend. Different scale, same entitlement.
The line’s craft is in its flatness. "Also started work" reduces moral extremity to professional workflow, a tone that mirrors Strangelove’s own deadpan treatment of catastrophe. It’s Southern reminding you that the era’s great horrors could be packaged as projects, options, adaptations - cultural commodities. That’s the chill beneath the casualness: evil doesn’t always announce itself. Sometimes it drafts a screenplay.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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