"After you play a part, you think of it as your own"
About this Quote
Rowlands, especially in her work with John Cassavetes, built performances that look less like “interpretation” than exposure. In that context, “your own” becomes a statement about authorship inside an art form that rarely grants actors the last word. Film fixes a performance in amber; the actor’s choices become the version audiences carry forever. That permanence makes the attachment inevitable and a little dangerous. If the role is “yours,” then criticism doesn’t just hit the work, it hits the self you had to put on the table to make it.
There’s subtext, too, about rivalry and replacement. Theater roles get re-cast; film roles get remade; awards season turns performances into commodities. Rowlands’ sentence pushes back against that marketplace logic. It insists on the intimate labor behind the product: the private inventory of gestures, memories, and nerves an actor spends to make a person feel real. After that kind of spending, you don’t walk away clean. You walk away convinced you’ve left fingerprints no one else can claim.
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Citation Formats
APA Style (7th ed.)
Rowlands, Gena. (2026, January 16). After you play a part, you think of it as your own. FixQuotes. https://fixquotes.com/quotes/after-you-play-a-part-you-think-of-it-as-your-own-114109/
Chicago Style
Rowlands, Gena. "After you play a part, you think of it as your own." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/after-you-play-a-part-you-think-of-it-as-your-own-114109/.
MLA Style (9th ed.)
"After you play a part, you think of it as your own." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/after-you-play-a-part-you-think-of-it-as-your-own-114109/. Accessed 4 Feb. 2026.






