"Again, one of the problems I have with television, as I mentioned before, is it's trivial in many ways, and I think that a lot of folks out there are looking for new metaphors and new ways of thinking about things"
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Straczynski’s gripe isn’t just that television can be shallow; it’s that the medium is structurally tempted to stay that way. “Trivial in many ways” reads like a producer’s weary diagnosis of an industry optimized for habit, not transformation: a steady drip of narratives designed to fill time, avoid risk, and keep viewers comfortably fluent in the same emotional vocabulary. The phrase “as I mentioned before” hints at a recurring battle he’s had in rooms where repetition is policy and novelty is liability.
Then he pivots to what viewers are “looking for”: “new metaphors.” That’s the tell. He’s not asking for better plots or higher budgets; he’s arguing that culture needs fresh symbolic equipment to make sense of changing realities. Metaphors are how societies metabolize complexity. When TV defaults to familiar archetypes and reset-button storytelling, it doesn’t just bore you; it narrows what feels thinkable. Triviality becomes epistemic, a way of training audiences to expect problems that resolve neatly and identities that fit pre-cut categories.
Coming from Straczynski, the subtext is also defensive and aspirational. This is a writer-producer who built a reputation on long-arc, idea-forward science fiction, constantly pushing against the notion that TV is disposable. He’s staking a claim for television as a serious engine of meaning-making, while acknowledging the medium’s gravitational pull toward the safe and the small. The “problem” is partly TV, partly us: a public hungry for new frames, trapped in the comfort food that rarely supplies them.
Then he pivots to what viewers are “looking for”: “new metaphors.” That’s the tell. He’s not asking for better plots or higher budgets; he’s arguing that culture needs fresh symbolic equipment to make sense of changing realities. Metaphors are how societies metabolize complexity. When TV defaults to familiar archetypes and reset-button storytelling, it doesn’t just bore you; it narrows what feels thinkable. Triviality becomes epistemic, a way of training audiences to expect problems that resolve neatly and identities that fit pre-cut categories.
Coming from Straczynski, the subtext is also defensive and aspirational. This is a writer-producer who built a reputation on long-arc, idea-forward science fiction, constantly pushing against the notion that TV is disposable. He’s staking a claim for television as a serious engine of meaning-making, while acknowledging the medium’s gravitational pull toward the safe and the small. The “problem” is partly TV, partly us: a public hungry for new frames, trapped in the comfort food that rarely supplies them.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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