"All, all is theft, all is unceasing and rigorous competition in nature; the desire to make off with the substance of others is the foremost - the most legitimate - passion nature has bred into us and, without doubt, the most agreeable one"
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De Sade doesn t just describe nature as competitive; he frames existence as a stickup and then dares you to call it immoral. The blunt anaphora of "All, all" works like a gavel: no exceptions, no comforting pocket of innocence. By insisting theft is "unceasing and rigorous", he borrows the language of discipline and law to consecrate what the law forbids. That inversion is the trick. He is not arguing that humans sometimes behave badly; he is laundering brutality through the prestige of "nature" and coming out with a perverse ethics: if nature authored the impulse, then the impulse is "legitimate."
The subtext is an attack on Enlightenment sentimentalism and Christian moral bookkeeping. De Sade s era sold a tidy story about reason, virtue, and social contracts taming the beast. His counterproposal is that the beast is the contract. He weaponizes the naturalistic fallacy on purpose, not naively: if you can make domination look like biology, you can make conscience look like superstition.
Calling theft the "most agreeable" passion is the final twist of the knife. Pleasure is the point, and the provocation is aimed at the reader s self-image. He invites you to notice how often "success" already depends on taking - labor, time, bodies, resources - while polite society pretends it is all merit and manners. In de Sade s hands, "nature" becomes both alibi and indictment: an excuse for predation, and a mirror held up to a world that profits from it while claiming to be civilized.
The subtext is an attack on Enlightenment sentimentalism and Christian moral bookkeeping. De Sade s era sold a tidy story about reason, virtue, and social contracts taming the beast. His counterproposal is that the beast is the contract. He weaponizes the naturalistic fallacy on purpose, not naively: if you can make domination look like biology, you can make conscience look like superstition.
Calling theft the "most agreeable" passion is the final twist of the knife. Pleasure is the point, and the provocation is aimed at the reader s self-image. He invites you to notice how often "success" already depends on taking - labor, time, bodies, resources - while polite society pretends it is all merit and manners. In de Sade s hands, "nature" becomes both alibi and indictment: an excuse for predation, and a mirror held up to a world that profits from it while claiming to be civilized.
Quote Details
| Topic | Ethics & Morality |
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