"All discarded lovers should be given a second chance, but with somebody else"
About this Quote
Mae West turns romantic wreckage into a punchline that doubles as a survival manual. “All discarded lovers” sounds like a category meant for pity, the human equivalent of last season’s clothes. West yanks it out of tragedy by treating “discarded” as the lover’s problem and the discarder’s tell: if you were tossed aside, it wasn’t proof you were worthless, it was proof someone else was careless or cruel or simply bored.
The sly genius is in the structure. She grants the sentimental impulse - a “second chance” - then refuses the most culturally sanctioned version of it: reconciliation. The twist, “but with somebody else,” is a velvet-gloved rebuke to the myth that closure requires returning to the person who hurt you. West is always negotiating power; here, she reroutes it. The “second chance” isn’t a reward handed back by the original partner, it’s a choice you take elsewhere. That reframing matters: it shifts romance from a court of appeal to a marketplace where you can walk away and try again.
Context sharpens the edge. West built her persona in an era that policed female desire and demanded women perform devotion even when treated as disposable. She answers with a joke that smuggles in autonomy. Laughing at the line is part of the point: humor is her camouflage, but also her weapon. It disarms the sting of rejection while quietly instructing the audience to stop auditioning for someone who already said no.
The sly genius is in the structure. She grants the sentimental impulse - a “second chance” - then refuses the most culturally sanctioned version of it: reconciliation. The twist, “but with somebody else,” is a velvet-gloved rebuke to the myth that closure requires returning to the person who hurt you. West is always negotiating power; here, she reroutes it. The “second chance” isn’t a reward handed back by the original partner, it’s a choice you take elsewhere. That reframing matters: it shifts romance from a court of appeal to a marketplace where you can walk away and try again.
Context sharpens the edge. West built her persona in an era that policed female desire and demanded women perform devotion even when treated as disposable. She answers with a joke that smuggles in autonomy. Laughing at the line is part of the point: humor is her camouflage, but also her weapon. It disarms the sting of rejection while quietly instructing the audience to stop auditioning for someone who already said no.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Quote attributed to Mae West; listed on Wikiquote (Mae West page). |
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