"All fame ever does for you is get attention for the work you really want to do"
About this Quote
Fame, in Jonathan Frid's formulation, is less a prize than a spotlight you can point somewhere else if you have the nerve. Coming from an actor best known for a single role (Barnabas Collins on Dark Shadows), the line carries the weary practicality of someone who watched celebrity harden into a brand. Frid isn’t romanticizing visibility; he’s demoting it. Fame is a tool, not a telos - useful only insofar as it buys you oxygen for the work that would otherwise struggle to be seen.
The intent is quietly corrective. Actors are trained, publicly and privately, to treat recognition as proof of talent and a guarantee of freedom. Frid flips that myth: attention is the currency, not the meaning. The subtext is a warning about the trap of being liked for the wrong thing. If the public’s gaze fixes on a persona you didn’t choose, you can spend your life servicing that appetite, doing increasingly elaborate impressions of your own reputation. The phrase "the work you really want to do" hints at an inner ledger: the roles you dream about versus the ones the market rewards.
Culturally, it lands as an early, clean statement of what we now call platform logic. Attention is convertible, but only if you actively convert it - into better scripts, riskier projects, creative control, or privacy. Otherwise, fame just becomes a job you can’t clock out of.
The intent is quietly corrective. Actors are trained, publicly and privately, to treat recognition as proof of talent and a guarantee of freedom. Frid flips that myth: attention is the currency, not the meaning. The subtext is a warning about the trap of being liked for the wrong thing. If the public’s gaze fixes on a persona you didn’t choose, you can spend your life servicing that appetite, doing increasingly elaborate impressions of your own reputation. The phrase "the work you really want to do" hints at an inner ledger: the roles you dream about versus the ones the market rewards.
Culturally, it lands as an early, clean statement of what we now call platform logic. Attention is convertible, but only if you actively convert it - into better scripts, riskier projects, creative control, or privacy. Otherwise, fame just becomes a job you can’t clock out of.
Quote Details
| Topic | Work |
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