"All I know is that when I mix to digital and when I mix to tape I compare them and the tape always wins out"
About this Quote
There is a whole worldview tucked inside that blunt “tape always wins out.” Jim Diamond isn’t arguing from specs; he’s asserting ear-truth, the kind that comes from long nights at a console where decisions aren’t theoretical. The phrasing “All I know” does a lot of work: it pre-emptively disarms the usual comment-section debate about bit depth and noise floors. He’s not claiming tape is objectively superior in every measurable way. He’s claiming that in the only arena that matters to him - the comparative listen after the mix - tape consistently delivers the result he wants.
Subtextually, this is about authority and craft in an era that loves convenience. Digital promised perfection: clean, cheap, endlessly revisable. Tape offers something messier: saturation, compression, a gentle rounding of transients, a kind of “glue” that can make separate elements feel like they happened in the same physical space. When Diamond says tape “wins,” he’s really talking about affect. Tape is a bias toward cohesion and character, a built-in aesthetic editor that nudges a mix away from clinical clarity and toward human-scale warmth.
Context matters: this sentiment tends to flare when an industry shifts tools and, with them, values. The line reads like a refusal to let workflow dictate taste. It’s also quietly nostalgic without being sentimental - not “the old days were better,” but “my reference is the emotional impact, not the newest checkbox.”
Subtextually, this is about authority and craft in an era that loves convenience. Digital promised perfection: clean, cheap, endlessly revisable. Tape offers something messier: saturation, compression, a gentle rounding of transients, a kind of “glue” that can make separate elements feel like they happened in the same physical space. When Diamond says tape “wins,” he’s really talking about affect. Tape is a bias toward cohesion and character, a built-in aesthetic editor that nudges a mix away from clinical clarity and toward human-scale warmth.
Context matters: this sentiment tends to flare when an industry shifts tools and, with them, values. The line reads like a refusal to let workflow dictate taste. It’s also quietly nostalgic without being sentimental - not “the old days were better,” but “my reference is the emotional impact, not the newest checkbox.”
Quote Details
| Topic | Music |
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