"All I want is for people to listen to it with unbiased ears, and decide for themselves. I just don't want them to be dictated to by the media, or have preconceptions about it. If you like it, great. If you don't, fair enough"
About this Quote
There is a very 1990s-to-now exhaustion embedded in this plea: let the work land before the storyline does. Coming from Melanie Chisholm, a pop figure whose public identity was forged inside the Spice Girls brand machine, the request for “unbiased ears” isn’t naive idealism so much as a survival tactic. She’s asking for a hearing that fame rarely grants: attention to the actual sound, not the packaging, gossip, rankings, or cultural shorthand that decides what something “means” before it’s even played.
The phrasing is careful, almost preemptively disarming. “Decide for themselves” signals autonomy, but it also hints at how little autonomy audiences really have when exposure is filtered through gatekeepers. “Dictated to by the media” reads as a direct critique of the promotional-industrial complex that both elevates and cages artists, especially women in pop: you’re either a manufactured product or a “serious” exception, and the coverage often assigns you one role regardless of what you make.
Then she pulls off a quiet rhetorical flex: “If you like it, great. If you don’t, fair enough.” That’s not indifference; it’s credibility-building. By granting permission to dislike the music, she undercuts the suspicion that the ask is for praise. The subtext is a negotiation with a cynical culture: don’t love me on brand, don’t hate me on reflex. Just listen first.
The phrasing is careful, almost preemptively disarming. “Decide for themselves” signals autonomy, but it also hints at how little autonomy audiences really have when exposure is filtered through gatekeepers. “Dictated to by the media” reads as a direct critique of the promotional-industrial complex that both elevates and cages artists, especially women in pop: you’re either a manufactured product or a “serious” exception, and the coverage often assigns you one role regardless of what you make.
Then she pulls off a quiet rhetorical flex: “If you like it, great. If you don’t, fair enough.” That’s not indifference; it’s credibility-building. By granting permission to dislike the music, she undercuts the suspicion that the ask is for praise. The subtext is a negotiation with a cynical culture: don’t love me on brand, don’t hate me on reflex. Just listen first.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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