"All marriages are happy. It's trying to live together afterwards that causes all the problems"
About this Quote
Shelley Winters lands the joke like a veteran of both Hollywood and hard living: she grants marriage a fairy-tale opening, then yanks the camera past the wedding montage to the part nobody scripts. “All marriages are happy” isn’t naivete; it’s a setup. The happiness she’s talking about is ceremonial, socially approved, almost mandatory. A wedding is a public story with costumes, lighting, and a crowd trained to clap on cue. Of course it’s happy. It has to be.
The cut comes with “afterwards,” a word that punctures the myth of permanence. Winters is aiming at the gap between institution and intimacy: marriage as a plot versus marriage as a daily roommate situation. “Trying to live together” is doing heavy lifting here. Trying implies effort, negotiation, failure, repeat. It’s not romance that breaks down; it’s logistics, ego, money, boredom, emotional labor, the endless micro-compromises that don’t fit on invitations.
As an actress, Winters understood how much of “happiness” is performance - for the audience, for family, for your own self-image. The line also carries a sly feminist edge: the problems “afterwards” often land unevenly, with domestic expectations quietly reassigning women from star of the show to stage manager of the household.
The brilliance is its generosity and bite at once. Winters doesn’t condemn marriage; she deflates the marketing. She reminds you that the real drama starts when the applause stops and two people have to share a bathroom.
The cut comes with “afterwards,” a word that punctures the myth of permanence. Winters is aiming at the gap between institution and intimacy: marriage as a plot versus marriage as a daily roommate situation. “Trying to live together” is doing heavy lifting here. Trying implies effort, negotiation, failure, repeat. It’s not romance that breaks down; it’s logistics, ego, money, boredom, emotional labor, the endless micro-compromises that don’t fit on invitations.
As an actress, Winters understood how much of “happiness” is performance - for the audience, for family, for your own self-image. The line also carries a sly feminist edge: the problems “afterwards” often land unevenly, with domestic expectations quietly reassigning women from star of the show to stage manager of the household.
The brilliance is its generosity and bite at once. Winters doesn’t condemn marriage; she deflates the marketing. She reminds you that the real drama starts when the applause stops and two people have to share a bathroom.
Quote Details
| Topic | Marriage |
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