"All men are rapists and that's all they are. They rape us with their eyes, their laws, and their codes"
About this Quote
A line like this is meant to detonate, not persuade. Marilyn French isn’t making a careful empirical claim about individual men; she’s compressing a structural indictment into a single, unignorable insult. The absolutism ("all", "that’s all") is the point: it mimics the totalizing force she’s describing, a world where male power feels ambient and inescapable. By overreaching rhetorically, she tries to make everyday coercions legible as coercion.
The key move is expanding "rape" beyond the criminal act into a continuum of violations: the look that turns a woman into public property, the law that codifies dependence, the social codes that punish deviation. "Eyes, laws, and codes" is a neat escalation from intimate to institutional, insisting that harm isn’t only inflicted in alleys; it’s built into courts, workplaces, marriages, and manners. The sentence tries to collapse the false comfort of "not all men" by shifting the focus from personal intent to systemic effect.
Context matters. French emerged from second-wave feminism, when consciousness-raising made private life a political battleground and language was often deliberately incendiary to break through polite denial. The subtext is rage at a society that treats women’s autonomy as negotiable, then asks for moderation in the critique.
It also reveals its own risk: by flattening men into a single essence, it mirrors the dehumanizing logic it condemns, inviting backlash and misreading. That tension is why it still lands: it’s less a thesis than a flare shot into a culture comfortable with incremental outrage.
The key move is expanding "rape" beyond the criminal act into a continuum of violations: the look that turns a woman into public property, the law that codifies dependence, the social codes that punish deviation. "Eyes, laws, and codes" is a neat escalation from intimate to institutional, insisting that harm isn’t only inflicted in alleys; it’s built into courts, workplaces, marriages, and manners. The sentence tries to collapse the false comfort of "not all men" by shifting the focus from personal intent to systemic effect.
Context matters. French emerged from second-wave feminism, when consciousness-raising made private life a political battleground and language was often deliberately incendiary to break through polite denial. The subtext is rage at a society that treats women’s autonomy as negotiable, then asks for moderation in the critique.
It also reveals its own risk: by flattening men into a single essence, it mirrors the dehumanizing logic it condemns, inviting backlash and misreading. That tension is why it still lands: it’s less a thesis than a flare shot into a culture comfortable with incremental outrage.
Quote Details
| Topic | Equality |
|---|---|
| Source | Verified source: Oxford Treasury of Sayings and Quotations (Susan Ratcliffe, 2011)ISBN: 9780199609123 · ID: IYOcAQAAQBAJ
Evidence: ... all men are rapists , and that's all they are . They rape us with their eyes , their laws , and their codes . Marilyn French 1929–2009 : The Women's Room ( 1977 ) 22 Years ago , manhood was an opportunity for achievement , and now it is ... Other candidates (1) Rape (Marilyn French) compilation99.0% lations with women all men are rapists and thats all that they are they rape us with their eyes their laws and their ... |
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