"All of the directors I've worked with I've gotten along with very well"
About this Quote
There is a deliberate, almost strategic blandness to Trevor Rabin's line: "All of the directors I've worked with I've gotten along with very well". Coming from a musician who moved fluidly between rock stardom and film scoring, the sentence reads less like a heartfelt testimonial and more like a survival skill translated into polite speech.
In the film world, "getting along" is currency. Directors are the sun in the solar system; everyone else orbits. A composer can be brilliant and still get replaced, reshaped, temp-tracked into oblivion, or quietly phased out if the collaboration becomes frictional. Rabin's phrasing emphasizes relationship management over artistic struggle, which is telling. He isn't bragging about masterpieces or daring experiments. He's signaling reliability, ego-control, and an ability to deliver under pressure - the traits that keep you hired in an industry built on deadlines, revisions, and competing visions.
The repetition ("I've worked with... I've gotten along") also has a practiced quality, like an answer refined through years of interviews. Subtext: I've avoided public drama; I don't burn bridges; I'm safe. It's not that conflict never happens - it's that the professional move is to keep it offstage. For a composer whose job is to amplify a director's story without stealing it, harmony isn't just interpersonal. It's the brand.
In the film world, "getting along" is currency. Directors are the sun in the solar system; everyone else orbits. A composer can be brilliant and still get replaced, reshaped, temp-tracked into oblivion, or quietly phased out if the collaboration becomes frictional. Rabin's phrasing emphasizes relationship management over artistic struggle, which is telling. He isn't bragging about masterpieces or daring experiments. He's signaling reliability, ego-control, and an ability to deliver under pressure - the traits that keep you hired in an industry built on deadlines, revisions, and competing visions.
The repetition ("I've worked with... I've gotten along") also has a practiced quality, like an answer refined through years of interviews. Subtext: I've avoided public drama; I don't burn bridges; I'm safe. It's not that conflict never happens - it's that the professional move is to keep it offstage. For a composer whose job is to amplify a director's story without stealing it, harmony isn't just interpersonal. It's the brand.
Quote Details
| Topic | Work |
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