"All rock musicians are deaf... Or insensitive to mellow sounds"
About this Quote
Marc Bolan’s line lands like a glitter-bomb tossed at rock’s own mythology: the idea that volume isn’t just an aesthetic choice but a personality type. “All rock musicians are deaf” is obviously not medical reportage; it’s a jab at the culture of loudness as identity, the way amplification becomes a substitute for nuance, restraint, even listening. Then he swerves: “Or insensitive to mellow sounds.” That pivot is the real joke and the real accusation. If you’re not literally losing your hearing, you might be losing your capacity for softness.
Coming from Bolan - a glam architect who treated rock as theater as much as music - the quote reads like self-aware satire aimed at his own tribe. Glam flirted with pop sheen, tenderness, and artifice in a scene that prized rawness and macho abrasion. Bolan’s subtext: rock’s supposed authenticity can calcify into blunt force. “Mellow sounds” stands in for everything rock historically side-eyes as weak: intimacy, subtle groove, emotional complexity, maybe even commercial melody. He’s calling out the genre’s defensive posture, the way it polices taste by turning the volume knob into a moral one.
Context matters, too. In the early-to-mid 70s, stadium rock was ballooning, amps were getting bigger, and the spectacle was swallowing the song. Bolan, who thrived on sensation, also knew sensation has a cost: when you can’t hear quiet, you can’t hear change coming either.
Coming from Bolan - a glam architect who treated rock as theater as much as music - the quote reads like self-aware satire aimed at his own tribe. Glam flirted with pop sheen, tenderness, and artifice in a scene that prized rawness and macho abrasion. Bolan’s subtext: rock’s supposed authenticity can calcify into blunt force. “Mellow sounds” stands in for everything rock historically side-eyes as weak: intimacy, subtle groove, emotional complexity, maybe even commercial melody. He’s calling out the genre’s defensive posture, the way it polices taste by turning the volume knob into a moral one.
Context matters, too. In the early-to-mid 70s, stadium rock was ballooning, amps were getting bigger, and the spectacle was swallowing the song. Bolan, who thrived on sensation, also knew sensation has a cost: when you can’t hear quiet, you can’t hear change coming either.
Quote Details
| Topic | Witty One-Liners |
|---|
More Quotes by Marc
Add to List



