"All that attention to the perfect lighting, the perfect this, the perfect that, I find terribly annoying"
About this Quote
Perfectionism is the least charming kind of vanity, and Streep skewers it with the offhand precision of someone who has spent decades watching it metastasize on set. The repetition - "the perfect lighting, the perfect this, the perfect that" - mimics the drone of production talk, where craft can quietly curdle into fetish. It is a performative eye-roll, but also a warning: when the industry obsesses over polish, it risks sanding down the very thing audiences come for, which is a flicker of human specificity.
The intent isn’t anti-craft. Streep is famously meticulous. The target is the cult of control: the belief that if every variable is optimized, the work will be undeniable. Actors know that’s a comforting lie. A scene lands because something alive happens in it, and aliveness is inherently messy. Her "terribly annoying" isn’t just irritation; it’s a boundary line between technique as a tool and technique as a shield against risk.
Context matters here: Streep’s career spans from the New Hollywood era into the HD, digitally graded, brand-managed present. As cameras sharpened and image culture got more unforgiving, "perfect" became both aesthetic and moral category - a way to police faces, bodies, and performances, especially for women. Her complaint reads as quiet resistance to that regime. It’s a reminder that great acting doesn’t beg to be lit like a product; it asks to be seen, even when the light isn’t flattering.
The intent isn’t anti-craft. Streep is famously meticulous. The target is the cult of control: the belief that if every variable is optimized, the work will be undeniable. Actors know that’s a comforting lie. A scene lands because something alive happens in it, and aliveness is inherently messy. Her "terribly annoying" isn’t just irritation; it’s a boundary line between technique as a tool and technique as a shield against risk.
Context matters here: Streep’s career spans from the New Hollywood era into the HD, digitally graded, brand-managed present. As cameras sharpened and image culture got more unforgiving, "perfect" became both aesthetic and moral category - a way to police faces, bodies, and performances, especially for women. Her complaint reads as quiet resistance to that regime. It’s a reminder that great acting doesn’t beg to be lit like a product; it asks to be seen, even when the light isn’t flattering.
Quote Details
| Topic | Sarcastic |
|---|
More Quotes by Meryl
Add to List
