"All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage"
About this Quote
Pinter’s line doesn’t plead for nuance; it weaponizes it. “All that happens” is a chilling opener, a shrug phrased as indictment, suggesting that official language doesn’t merely obscure violence - it normalizes it. The sentence pivots on a bureaucratic euphemism: “collateral damage,” a term designed to sound technical, almost accidental, as if bodies are a rounding error in an otherwise tidy equation. Pinter is doing what his plays often do: stripping polite speech down to the menace hiding underneath.
The barb is in the clause “unless they’re Americans.” He’s not making an empirical claim about whose deaths are mourned; he’s exposing whose deaths are narratively legible. The subtext is media, state power, and selective empathy: some corpses get names, backstories, camera time, and presidential pauses; others are filed under procedure. By framing this as a matter of naming, Pinter implies that language is part of the violence itself - not just a cover-up after the fact, but a tool that enables the next strike by keeping the moral ledger clean.
Context matters: Pinter’s late public voice, especially around U.S. and U.K. foreign policy in the post-Cold War and post-9/11 era, became openly accusatory. This line channels that anger into a single syntactic twist, forcing the reader to hear how empire speaks when it wants to keep its hands looking empty. The intent isn’t balance; it’s discomfort.
The barb is in the clause “unless they’re Americans.” He’s not making an empirical claim about whose deaths are mourned; he’s exposing whose deaths are narratively legible. The subtext is media, state power, and selective empathy: some corpses get names, backstories, camera time, and presidential pauses; others are filed under procedure. By framing this as a matter of naming, Pinter implies that language is part of the violence itself - not just a cover-up after the fact, but a tool that enables the next strike by keeping the moral ledger clean.
Context matters: Pinter’s late public voice, especially around U.S. and U.K. foreign policy in the post-Cold War and post-9/11 era, became openly accusatory. This line channels that anger into a single syntactic twist, forcing the reader to hear how empire speaks when it wants to keep its hands looking empty. The intent isn’t balance; it’s discomfort.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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