"All that is necessary to paint well is to be sincere"
About this Quote
Denis’s line is a neat provocation dressed up as reassurance: you don’t need virtuosity, theory, or even “good taste” to paint well, only sincerity. Coming from an artist who helped define modernism’s break with academic realism, it’s less a Hallmark sentiment than a tactical manifesto. “Sincere” here isn’t about being sweet or honest in a diary-entry way; it’s about committing to a way of seeing and making without apologizing to inherited standards.
The subtext is a jab at the salon ideal that painting’s job is to convincingly imitate the world. Denis, a key figure among the Nabis, lived in the moment when painting started admitting its own artifice: flatness, pattern, decorative rhythm, the picture as an object. Sincerity becomes a defense of style as conviction. If you truly believe in your symbolic color, your simplified forms, your non-natural space, then the work earns its “well” on internal coherence rather than external resemblance.
It’s also a quiet power move. By claiming sincerity as the essential ingredient, Denis relocates authority from institutions (academies, juries, critics) to the artist’s intent. That’s culturally modern: the self as the site of legitimacy. Yet the quote carries a built-in trap. Sincerity can excuse laziness and sentimentality; it can become a moral alibi for weak craft. Denis’s best implication is sharper: sincerity isn’t the absence of discipline, it’s the refusal to let discipline become an empty performance. The painting works when technique serves a felt necessity, not a rubric.
The subtext is a jab at the salon ideal that painting’s job is to convincingly imitate the world. Denis, a key figure among the Nabis, lived in the moment when painting started admitting its own artifice: flatness, pattern, decorative rhythm, the picture as an object. Sincerity becomes a defense of style as conviction. If you truly believe in your symbolic color, your simplified forms, your non-natural space, then the work earns its “well” on internal coherence rather than external resemblance.
It’s also a quiet power move. By claiming sincerity as the essential ingredient, Denis relocates authority from institutions (academies, juries, critics) to the artist’s intent. That’s culturally modern: the self as the site of legitimacy. Yet the quote carries a built-in trap. Sincerity can excuse laziness and sentimentality; it can become a moral alibi for weak craft. Denis’s best implication is sharper: sincerity isn’t the absence of discipline, it’s the refusal to let discipline become an empty performance. The painting works when technique serves a felt necessity, not a rubric.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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