"All the aftermath that so frequently follows in the wake of war still confront the nation, and we now, as ever before, must hold fast to the ancient landmarks and see to it that all of these plagues that threaten so mightily shall be rendered harmless"
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War doesn’t end when the shooting stops; it metastasizes into paperwork, poverty, grievance, and opportunism. Alexander Henry’s line is doing the useful work of naming that less cinematic reality: the “aftermath” is not a footnote but a second campaign, fought on home ground with fewer uniforms and more excuses. For a businessman, this is a pointed admission. Commerce thrives on predictability, and Henry is essentially pleading for the restoration of conditions in which contracts mean something, supply lines stabilize, and private actors can plan without gambling against chaos.
The rhetoric is deliberately antique. “Hold fast to the ancient landmarks” isn’t nostalgia for its own sake; it’s a conservative strategy for crisis management. Landmarks imply boundaries: legal norms, settled rights, inherited institutions. Henry wants the nation to treat those as non-negotiable reference points while postwar “plagues” - profiteering, factionalism, demobilized violence, debt, displacement - try to redraw the map. Calling them plagues is a shrewd bit of moral framing: not merely policy problems, but contagious threats that spread if the public relaxes.
The subtext is anxiety about drift. Postwar periods are when nations improvise - and when improvised powers, taxes, and vendettas harden into new habits. Henry’s insistence that “as ever before” vigilance is required suggests he’s seen how quickly emergency measures become culture. It’s less a triumphal statement than a warning from someone who understands that instability is bad for both republics and ledgers.
The rhetoric is deliberately antique. “Hold fast to the ancient landmarks” isn’t nostalgia for its own sake; it’s a conservative strategy for crisis management. Landmarks imply boundaries: legal norms, settled rights, inherited institutions. Henry wants the nation to treat those as non-negotiable reference points while postwar “plagues” - profiteering, factionalism, demobilized violence, debt, displacement - try to redraw the map. Calling them plagues is a shrewd bit of moral framing: not merely policy problems, but contagious threats that spread if the public relaxes.
The subtext is anxiety about drift. Postwar periods are when nations improvise - and when improvised powers, taxes, and vendettas harden into new habits. Henry’s insistence that “as ever before” vigilance is required suggests he’s seen how quickly emergency measures become culture. It’s less a triumphal statement than a warning from someone who understands that instability is bad for both republics and ledgers.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
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