"All the things we have to remember, and I've mentioned this before, is that we're all artists"
About this Quote
Terrence Howard’s line stumbles into wisdom the way a backstage pep talk sometimes does: a little grammatically off, emotionally dead-on. The opening, “All the things we have to remember,” frames life as a crowded mental to-do list, the kind you recite when you’re trying to keep yourself steady in a chaotic business. Then he adds, “I’ve mentioned this before,” a small, telling move that signals repetition as survival. In Hollywood, you don’t just have beliefs; you have mantras you return to when the room keeps changing.
The pivot - “we’re all artists” - is less a Hallmark uplift than a claim of dignity. Coming from an actor, it reads like a pushback against the hierarchy that decides whose creativity counts: the lead versus the extra, the star versus the crew, the public-facing “talent” versus everyone doing invisible work. Howard isn’t praising everyone’s potential so much as insisting on a shared creative agency: you’re not only a consumer of culture, you’re a maker of choices, style, improvisation, and meaning.
It also functions as self-defense. Actors get treated like decorative vessels for other people’s words; calling everyone an artist widens the category until it can’t be gatekept. The subtext is about permission: permission to shape your life with intention, permission to see craft where the world sees routine. It’s messy, but that mess is the point - a human attempt to democratize art in a system built to ration it.
The pivot - “we’re all artists” - is less a Hallmark uplift than a claim of dignity. Coming from an actor, it reads like a pushback against the hierarchy that decides whose creativity counts: the lead versus the extra, the star versus the crew, the public-facing “talent” versus everyone doing invisible work. Howard isn’t praising everyone’s potential so much as insisting on a shared creative agency: you’re not only a consumer of culture, you’re a maker of choices, style, improvisation, and meaning.
It also functions as self-defense. Actors get treated like decorative vessels for other people’s words; calling everyone an artist widens the category until it can’t be gatekept. The subtext is about permission: permission to shape your life with intention, permission to see craft where the world sees routine. It’s messy, but that mess is the point - a human attempt to democratize art in a system built to ration it.
Quote Details
| Topic | Art |
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