"All theological lore is becoming distasteful to me"
About this Quote
A soldier admitting that theology has started to taste bad is a small sentence with a trench’s worth of recoil in it. Owen doesn’t argue doctrine; he registers nausea. “Lore” is the tell: not faith, not God, but the accumulated stories, formulas, and tidy explanations that institutions keep polishing. In wartime, especially the First World War’s mechanized slaughter, that polish reads as a kind of moral varnish - the language that blesses flags, consoles mothers, and turns mass death into “sacrifice” with a straight face. Distaste is a bodily verdict on rhetorical fraud.
Owen’s intent is less atheistic than allergic. The line suggests a speaker still close enough to belief to feel betrayed by its official packaging. Theology, as it’s been handed to him, has become unusable in the presence of blown-open bodies and bureaucratized killing. The subtext: if a system of meaning can’t speak honestly about this, it’s not just inadequate; it’s complicit. “Becoming” matters too. This is a conversion in real time, the slow souring of inherited comfort under pressure, as if the war is teaching him to distrust any language that arrives pre-sanctified.
Context sharpens the sting. Owen, writing out of the Western Front, is a poet famous for unmasking “the old Lie” of patriotic glory. This line slots neatly into that project: theology as another beautiful story enlisted to keep the machinery running. What makes it work is its restraint. No sermon, no manifesto - just the honest, scandalous admission that the sacred has started to rot on the tongue.
Owen’s intent is less atheistic than allergic. The line suggests a speaker still close enough to belief to feel betrayed by its official packaging. Theology, as it’s been handed to him, has become unusable in the presence of blown-open bodies and bureaucratized killing. The subtext: if a system of meaning can’t speak honestly about this, it’s not just inadequate; it’s complicit. “Becoming” matters too. This is a conversion in real time, the slow souring of inherited comfort under pressure, as if the war is teaching him to distrust any language that arrives pre-sanctified.
Context sharpens the sting. Owen, writing out of the Western Front, is a poet famous for unmasking “the old Lie” of patriotic glory. This line slots neatly into that project: theology as another beautiful story enlisted to keep the machinery running. What makes it work is its restraint. No sermon, no manifesto - just the honest, scandalous admission that the sacred has started to rot on the tongue.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
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