"All things deteriorate in time"
About this Quote
A plain, hard truth sits behind those five words: time is the universal solvent. For a poet who wrote of fields and of founding empires, the insight applies equally to crops, bodies, cities, and reputations. Left alone, vines go wild, walls crumble, and customs fray. The world does not hold its form without attention. That observation anchors the Georgics, where the land steadily slides back into thorns unless human hands cut, graft, and plow. The poem’s celebrated answer, labor omnia vicit, does not deny decline; it dignifies the toil that holds decay at bay for a while.
The Roman imagination lived with a double vision of history: the memory of a Golden Age under Saturn and the harsh present shaped by Jupiter, where effort and law replace ease and abundance. Saying that all things deteriorate registers that second reality, the fallen condition in which even the best arrangements demand maintenance. Yet it also serves an ethical purpose. If nothing keeps itself, then stewardship is a duty. Cultivation, piety, and craft become the arts of resisting entropy in a mortal world.
The Aeneid carries this further. Troy is already ash when the story begins, and love, kingdoms, and bodies are transient. Tears for things recur because all things pass, and the poem knows the cost. Still, the work looks forward: from ruins to foundations, from loss to a future Rome. Time erodes, but it also gathers. It makes possible memory, lineage, and the kind of fame that tries to outlast the flesh. Even that endurance is provisional; the poem quietly admits that monuments age and empires falter.
What remains is a sober balance. Decay is inevitable; resignation is not. The line marks the boundary of human power and, at the same time, the field of human responsibility. Knowing that everything tends downward, one tills, repairs, legislates, sings, and remembers, making temporary forms of order that honor what cannot be kept.
The Roman imagination lived with a double vision of history: the memory of a Golden Age under Saturn and the harsh present shaped by Jupiter, where effort and law replace ease and abundance. Saying that all things deteriorate registers that second reality, the fallen condition in which even the best arrangements demand maintenance. Yet it also serves an ethical purpose. If nothing keeps itself, then stewardship is a duty. Cultivation, piety, and craft become the arts of resisting entropy in a mortal world.
The Aeneid carries this further. Troy is already ash when the story begins, and love, kingdoms, and bodies are transient. Tears for things recur because all things pass, and the poem knows the cost. Still, the work looks forward: from ruins to foundations, from loss to a future Rome. Time erodes, but it also gathers. It makes possible memory, lineage, and the kind of fame that tries to outlast the flesh. Even that endurance is provisional; the poem quietly admits that monuments age and empires falter.
What remains is a sober balance. Decay is inevitable; resignation is not. The line marks the boundary of human power and, at the same time, the field of human responsibility. Knowing that everything tends downward, one tills, repairs, legislates, sings, and remembers, making temporary forms of order that honor what cannot be kept.
Quote Details
| Topic | Time |
|---|
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