"All things truly wicked start from innocence"
About this Quote
Wickedness, Hemingway implies, rarely announces itself with a cape and a snarl. It slips in wearing the clean face of innocence - not just naivete, but the kind of moral permission we grant to beginnings. The line works because it flips our usual comfort story: that innocence is a shield. Here it reads as an entry point, even a raw material. If you believe you are innocent, you feel entitled to experiment, to push, to act without fully accounting for consequence. That sense of exemption is how harm gets its first foothold.
The subtext is recognizably Hemingway: a suspicion of purity, a skepticism about the narratives people tell to stay unscarred. In his world, corruption isn’t usually born from elaborate evil; it’s born from youth, from romance, from idealism that hasn’t been tested by reality. Innocence becomes dangerous precisely because it’s confident. It doesn’t see the trap it’s building, and it doesn’t recognize how quickly appetite, fear, or loyalty can turn into cruelty once the stakes rise.
Read in the context of the early 20th century - wars, disillusionment, the collapse of old moral guarantees - the line feels like a distillation of a generation’s hangover. The people who marched off with clean reasons came back fluent in compromise. Hemingway’s genius is the bleak economy of it: “truly wicked” doesn’t start in darkness; it starts in daylight, with a reason that sounds good to the person speaking.
The subtext is recognizably Hemingway: a suspicion of purity, a skepticism about the narratives people tell to stay unscarred. In his world, corruption isn’t usually born from elaborate evil; it’s born from youth, from romance, from idealism that hasn’t been tested by reality. Innocence becomes dangerous precisely because it’s confident. It doesn’t see the trap it’s building, and it doesn’t recognize how quickly appetite, fear, or loyalty can turn into cruelty once the stakes rise.
Read in the context of the early 20th century - wars, disillusionment, the collapse of old moral guarantees - the line feels like a distillation of a generation’s hangover. The people who marched off with clean reasons came back fluent in compromise. Hemingway’s genius is the bleak economy of it: “truly wicked” doesn’t start in darkness; it starts in daylight, with a reason that sounds good to the person speaking.
Quote Details
| Topic | Ethics & Morality |
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