"All which is not prose is verse; and all which is not verse is prose"
About this Quote
Moliere’s line is a knife disguised as a ruler: neat, binary, and quietly devastating to anyone who wants art to feel mysterious. On its face, it’s just taxonomy - everything is either prose or verse, full stop. But the intent is theatrical, not scholarly. It’s a comic reduction that punctures pretension, the sort of “obvious truth” that becomes funny because someone onstage is treating it like a revelation.
The subtext is about status. In Moliere’s France, verse carried cultural prestige; it was the language of “serious” drama and elevated taste, while prose signaled the everyday. By insisting the universe of writing contains only these two buckets, he’s mocking the way people build hierarchies out of forms, as if meter alone guarantees sophistication. It’s also a sly jab at pedants: people who confuse naming a thing with understanding it.
Context matters because Moliere’s comedy repeatedly targets self-important social climbers and intellectual posturers - characters who want the aura of refinement without the substance. The line’s humor comes from its circular logic, a self-sealing statement that sounds definitive while adding nothing. That’s the point: it exposes how authority can be performed through confident phrasing.
There’s an extra wink in how modern the trap feels. We still love binaries that tidy up messy realities - high/low, art/content, literary/genre. Moliere reminds us that classification can be a form of control, and that the quickest way to deflate it is to let it talk itself into absurdity.
The subtext is about status. In Moliere’s France, verse carried cultural prestige; it was the language of “serious” drama and elevated taste, while prose signaled the everyday. By insisting the universe of writing contains only these two buckets, he’s mocking the way people build hierarchies out of forms, as if meter alone guarantees sophistication. It’s also a sly jab at pedants: people who confuse naming a thing with understanding it.
Context matters because Moliere’s comedy repeatedly targets self-important social climbers and intellectual posturers - characters who want the aura of refinement without the substance. The line’s humor comes from its circular logic, a self-sealing statement that sounds definitive while adding nothing. That’s the point: it exposes how authority can be performed through confident phrasing.
There’s an extra wink in how modern the trap feels. We still love binaries that tidy up messy realities - high/low, art/content, literary/genre. Moliere reminds us that classification can be a form of control, and that the quickest way to deflate it is to let it talk itself into absurdity.
Quote Details
| Topic | Poetry |
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