"All women are misfits. We do not fit into this world without amputations"
About this Quote
Piercy’s line doesn’t flirt with provocation; it grabs you by the collar and names the cost of “belonging” with surgical clarity. Calling women “misfits” weaponizes a word usually aimed at the deviant or defective, then flips the blame: the problem isn’t women’s bodies or desires, it’s the world built to exclude them. The second sentence lands like a threat and a diagnosis. “Fit” becomes a grim pun: social acceptance as physical mutilation. “Amputations” isn’t metaphorical garnish; it’s an accusation that femininity, as policed by institutions and intimacies, requires the removal of parts of the self - ambition, anger, sexual autonomy, creative hunger, even time.
The intent is feminist, but not comforting. Piercy writes from a lineage of second-wave consciousness raising and labor politics where “choice” is often a euphemism for coerced adaptation. The subtext is that women are trained to perform legibility for a culture that prefers them smaller: agreeable at work, self-erasing in relationships, perpetually optimizing their bodies as if existence were a beauty audit. If you’re praised for “having it all,” you’re also being told to keep it quiet, keep it pretty, keep it painless.
Context matters: Piercy’s work lives in the overlap of poetry, protest, and speculative critique, where the personal is never merely personal. This isn’t a lament about not fitting in; it’s a refusal to treat self-censorship as the entry fee for citizenship.
The intent is feminist, but not comforting. Piercy writes from a lineage of second-wave consciousness raising and labor politics where “choice” is often a euphemism for coerced adaptation. The subtext is that women are trained to perform legibility for a culture that prefers them smaller: agreeable at work, self-erasing in relationships, perpetually optimizing their bodies as if existence were a beauty audit. If you’re praised for “having it all,” you’re also being told to keep it quiet, keep it pretty, keep it painless.
Context matters: Piercy’s work lives in the overlap of poetry, protest, and speculative critique, where the personal is never merely personal. This isn’t a lament about not fitting in; it’s a refusal to treat self-censorship as the entry fee for citizenship.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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