"Almost everything The Beatles did was great, and it's hard to improve on. They were our Bach. The way to get around it may be to keep it as simple as possible"
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Calling The Beatles "our Bach" is less fan gush than a strategic surrender from someone who has spent a life inside recording studios, where every generation tries to out-clever the last. Burnett is naming a problem of inheritance: when a body of work becomes so canonized that it starts to function like a natural resource everyone wants to mine, yet no one can plausibly refine. Bach is the benchmark composer whose complexity feels inexhaustible; The Beatles, Burnett argues, achieved a comparable inevitability in pop - not because they were maximalists, but because their choices land with the authority of finished architecture.
The subtext is producerly: "hard to improve on" isn’t about worship, it’s about diminishing returns. You can add strings, layers, plug-ins, conceptual lore. You rarely add meaning. Burnett has built a reputation on humane, analog restraint and on rescuing songs from the sheen of overproduction. So when he says the workaround is simplicity, he’s pointing at a contemporary failure mode: treating classic pop as a puzzle to out-solve rather than a song to inhabit.
Context matters. Burnett comes out of an era when rock matured into a museum piece and the studio became a battleground of options. His line reads like counsel to anyone making "Beatles-adjacent" music today: stop competing with the monument; return to the elementary unit they mastered - melody, groove, a vocal that feels like a person in a room. Simplicity here isn’t minimalism as a style. It’s humility as a method.
The subtext is producerly: "hard to improve on" isn’t about worship, it’s about diminishing returns. You can add strings, layers, plug-ins, conceptual lore. You rarely add meaning. Burnett has built a reputation on humane, analog restraint and on rescuing songs from the sheen of overproduction. So when he says the workaround is simplicity, he’s pointing at a contemporary failure mode: treating classic pop as a puzzle to out-solve rather than a song to inhabit.
Context matters. Burnett comes out of an era when rock matured into a museum piece and the studio became a battleground of options. His line reads like counsel to anyone making "Beatles-adjacent" music today: stop competing with the monument; return to the elementary unit they mastered - melody, groove, a vocal that feels like a person in a room. Simplicity here isn’t minimalism as a style. It’s humility as a method.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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