"Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time"
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Beckley is praising Norah Jones with the slightly dangerous compliment musicians love to give: you sound older than you are. He tries to cushion it ("I don't mean disrespect") because calling a young-ish artist "a hundred years old" can read as backhanded - dusty, derivative, too retro. But his real point is the opposite. "Old" here is a shorthand for authority: a voice that carries lived-in grain, a sense of time, restraint, and emotional weathering you can't fake with studio polish.
The phrasing "now there's a voice" has the cadence of an insider taking a breath and pointing across the room. It's less reviewer's verdict than musician-to-musician recognition. Beckley, a veteran of soft rock's melodic precision, hears in Jones a kind of classicism that bypasses trend cycles. The word "experienced" is doing double duty: technical control (phrasing, pitch, breath) and narrative credibility (the feeling that the singer knows what the song is about, even if she's never lived the literal story).
"It's just an exciting time" widens the compliment into cultural context: early-2000s pop was loud with maximalism, and Jones arrived with quiet, jazz-leaning intimacy that still moved units. Beckley is capturing that moment when the industry briefly rewarded subtlety - when a voice that sounded like it had survived a century could, paradoxically, feel like the future.
The phrasing "now there's a voice" has the cadence of an insider taking a breath and pointing across the room. It's less reviewer's verdict than musician-to-musician recognition. Beckley, a veteran of soft rock's melodic precision, hears in Jones a kind of classicism that bypasses trend cycles. The word "experienced" is doing double duty: technical control (phrasing, pitch, breath) and narrative credibility (the feeling that the singer knows what the song is about, even if she's never lived the literal story).
"It's just an exciting time" widens the compliment into cultural context: early-2000s pop was loud with maximalism, and Jones arrived with quiet, jazz-leaning intimacy that still moved units. Beckley is capturing that moment when the industry briefly rewarded subtlety - when a voice that sounded like it had survived a century could, paradoxically, feel like the future.
Quote Details
| Topic | Music |
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