"Also, it was a cultural moment that wasn't being represented in terms of women who were successful and had choices they didn't have before. They needed a show that they can watch that they felt like represented them"
About this Quote
Kristin Davis is naming a vacancy that pop culture tends to paper over: not the absence of women on screen, but the absence of women who look like they’re steering. Her phrasing is tellingly practical. “Successful and had choices” doesn’t romanticize liberation; it frames it as a new set of options that comes with social friction, guilt, and scrutiny. The line “they didn’t have before” points straight at a generational hinge: women entering economic and sexual autonomy at scale, then turning on the TV and finding the old scripts still running.
The intent here is less self-congratulation than justification for why a certain kind of glossy, city-forward series mattered. Davis is defending representation as a need, not a luxury. “They needed a show” is blunt, almost consumer language, but it carries an emotional claim: visibility isn’t just flattering; it’s stabilizing. When you’re living a life your mother couldn’t, you want proof you’re not making it up alone.
The subtext is also a quiet pushback against the familiar dismissal of aspirational television as shallow. She’s arguing that the fantasy wasn’t just shoes and cocktails; it was the audacity of choice itself being portrayed as normal, messy, and worth narrating. “Felt like represented them” admits the subjective nature of identification: representation isn’t a perfect mirror, it’s a permission slip. In that cultural moment, seeing women with agency wasn’t merely entertainment; it was a rehearsal for self-recognition.
The intent here is less self-congratulation than justification for why a certain kind of glossy, city-forward series mattered. Davis is defending representation as a need, not a luxury. “They needed a show” is blunt, almost consumer language, but it carries an emotional claim: visibility isn’t just flattering; it’s stabilizing. When you’re living a life your mother couldn’t, you want proof you’re not making it up alone.
The subtext is also a quiet pushback against the familiar dismissal of aspirational television as shallow. She’s arguing that the fantasy wasn’t just shoes and cocktails; it was the audacity of choice itself being portrayed as normal, messy, and worth narrating. “Felt like represented them” admits the subjective nature of identification: representation isn’t a perfect mirror, it’s a permission slip. In that cultural moment, seeing women with agency wasn’t merely entertainment; it was a rehearsal for self-recognition.
Quote Details
| Topic | Equality |
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