"Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt"
About this Quote
Then she pivots to "basically I could react to how she felt", a small phrase that carries the real argument. She is not claiming Dorothy is a feminist icon or that suffering is ennobling. She is claiming access: an actor's right to locate the character from the inside, even when the story is structured by male desire. "React" matters because it frames Dorothy not as a symbol but as a nervous system. In a film often discussed as Lynchian dream-logic and suburban rot, Rossellini brings it back to embodiment: fear, shame, need, survival.
The subtext is also industrial. Rossellini is signaling that her participation wasnt passive consent to a male directors provocation; it was a choice grounded in empathy and craft. She positions herself as interpreter, not victim, insisting that even in a narrative of domination, performance can be a form of agency - not by denying the violence, but by making the audience feel its cost.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Rossellini, Isabella. (2026, January 18). Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt. FixQuotes. https://fixquotes.com/quotes/although-dorothy-in-blue-velvet-was-humiliated-21380/
Chicago Style
Rossellini, Isabella. "Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt." FixQuotes. January 18, 2026. https://fixquotes.com/quotes/although-dorothy-in-blue-velvet-was-humiliated-21380/.
MLA Style (9th ed.)
"Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt." FixQuotes, 18 Jan. 2026, https://fixquotes.com/quotes/although-dorothy-in-blue-velvet-was-humiliated-21380/. Accessed 21 Feb. 2026.




