"Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness"
About this Quote
The subtext is a refusal of false cleanliness. Puryear's work often looks resolved, even classical, yet it carries the memory of making: the stubbornness of wood, the limits of the hand, the unpredictable behavior of tools and joinery. By naming accident, he turns what galleries often hide (seams, repairs, rough grain, asymmetry) into a legitimate source of meaning. Rawness isn't just texture; it's ethics. It signals respect for materials as partners rather than obedient mediums.
Contextually, this sits between two poles that shaped late 20th-century sculpture: the cool control of Minimalism and the expressive looseness of post-Minimal, process-driven work. Puryear threads them together. He isn't romanticizing chaos; he's arguing that intelligence in sculpture includes responsiveness - the ability to let the work's contingencies revise the plan. The quote is a compact manifesto for an art that can be rigorous without pretending it was born frictionless.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Puryear, Martin. (2026, January 16). Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness. FixQuotes. https://fixquotes.com/quotes/although-idea-and-form-are-ultimately-paramount-96833/
Chicago Style
Puryear, Martin. "Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/although-idea-and-form-are-ultimately-paramount-96833/.
MLA Style (9th ed.)
"Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/although-idea-and-form-are-ultimately-paramount-96833/. Accessed 12 Feb. 2026.













