"America is supposed to be given over to ugliness. There are a good many ugly things there and the ugliest are the most pretentious"
About this Quote
Smith’s jab isn’t really about bad architecture or unfortunate faces; it’s about a national style he thinks he can already read in the scenery. “Supposed to be given over to ugliness” is a deliberately provocative phrasing, less an observation than an accusation: America, in this view, doesn’t merely contain ugliness, it has been assigned it, as if the country’s rapid growth made aesthetic and moral coarseness inevitable. That passive construction (“supposed to be”) is doing quiet work, implying a broad cultural verdict already circulating among transatlantic critics.
The sharper blade is in the second sentence. “The ugliest are the most pretentious” fuses taste with ethics. Smith suggests that the real offense isn’t ugliness but confidence: the brash insistence on grandeur without the restraint, tradition, or refinement that old-world arbiters believed should license it. Pretension, here, is democracy’s bad manners made visible - a culture where money, speed, and self-advertisement can pose as elegance.
Context matters: as a 19th-century historian moving in British intellectual currents, Smith is reacting to the Gilded Age spectacle - industrial wealth, showy civic projects, mass politics, boosterism. His line lands because it collapses aesthetic judgment into a social critique: America’s “ugly things” are not accidents but symptoms of a nation improvising status in public. The insult doubles as anxiety. If pretension can manufacture its own legitimacy, then the old gatekeepers of taste are already losing.
The sharper blade is in the second sentence. “The ugliest are the most pretentious” fuses taste with ethics. Smith suggests that the real offense isn’t ugliness but confidence: the brash insistence on grandeur without the restraint, tradition, or refinement that old-world arbiters believed should license it. Pretension, here, is democracy’s bad manners made visible - a culture where money, speed, and self-advertisement can pose as elegance.
Context matters: as a 19th-century historian moving in British intellectual currents, Smith is reacting to the Gilded Age spectacle - industrial wealth, showy civic projects, mass politics, boosterism. His line lands because it collapses aesthetic judgment into a social critique: America’s “ugly things” are not accidents but symptoms of a nation improvising status in public. The insult doubles as anxiety. If pretension can manufacture its own legitimacy, then the old gatekeepers of taste are already losing.
Quote Details
| Topic | Sarcastic |
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