"America is the only country that went from barbarism to decadence without civilization in between"
About this Quote
Wilde’s line is a salon grenade: elegant on the surface, engineered to scandalize anyone who mistakes national pride for proof of taste. The joke works because it weaponizes a Victorian ladder of “progress” - barbarism, civilization, decadence - and then claims the New World managed the stunt in fast-forward, skipping the only rung that would justify its wealth. It’s not a history lesson; it’s a status verdict.
The specific intent is twofold. First, it flatters Wilde’s own posture as the connoisseur who can diagnose cultural sickness at a glance. Second, it punctures America’s late-19th-century self-myth: a society that saw itself as industrious, moral, and modern. Wilde’s insinuation is that the country’s material dynamism has produced a shiny, overconfident decadence (money, spectacle, appetite) without the tempering institutions of “civilization” as Wilde understood it: old-world art, cultivated leisure, inherited manners, and a shared canon.
The subtext is less “Americans are uncultured” than “America is new money.” Decadence here isn’t just vice; it’s consumption without refinement, pleasure without apprenticeship. Wilde is also slyly defending decadence itself: in his aesthetic worldview, decadence can be high art when it’s conscious, ironic, and disciplined. America’s alleged failure is that it’s decadent in the bluntest way - loud, literal, and certain it has nothing to learn.
Context sharpens the bite. Wilde toured the United States in 1882, encountering a booming, commercial, publicity-driven culture that treated celebrities as commodities and culture as entertainment. The line reads as his revenge and his souvenir: a quip that turns culture shock into social theory, with a smirk.
The specific intent is twofold. First, it flatters Wilde’s own posture as the connoisseur who can diagnose cultural sickness at a glance. Second, it punctures America’s late-19th-century self-myth: a society that saw itself as industrious, moral, and modern. Wilde’s insinuation is that the country’s material dynamism has produced a shiny, overconfident decadence (money, spectacle, appetite) without the tempering institutions of “civilization” as Wilde understood it: old-world art, cultivated leisure, inherited manners, and a shared canon.
The subtext is less “Americans are uncultured” than “America is new money.” Decadence here isn’t just vice; it’s consumption without refinement, pleasure without apprenticeship. Wilde is also slyly defending decadence itself: in his aesthetic worldview, decadence can be high art when it’s conscious, ironic, and disciplined. America’s alleged failure is that it’s decadent in the bluntest way - loud, literal, and certain it has nothing to learn.
Context sharpens the bite. Wilde toured the United States in 1882, encountering a booming, commercial, publicity-driven culture that treated celebrities as commodities and culture as entertainment. The line reads as his revenge and his souvenir: a quip that turns culture shock into social theory, with a smirk.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Rejected source: The Happy Prince: And Other Tales (Oscar Wilde, George Percy Jacomb Hood, 1888)IA: happyprinceando00hoodgoog
Evidence: atchman and they wandered out into the rain then he flew back and told the prince what he had seen i am covered with fine Other candidates (2) Hating America (Barry M. Rubin, Judith Colp Rubin, 2004) compilation95.0% ... Oscar Wilde, who would agree with Clemenceau on little else, declared, “America is the only country that went fro... Oscar Wilde (Oscar Wilde) compilation37.5% ild intellect and the sham epigram which he wrote to thrill the very tamest part of our tame civilization g k chesterton |
More Quotes by Oscar
Add to List






