"America, thou half-brother of the world; with something good and bad of every land"
About this Quote
America arrives here as a familial accident: not the world’s rightful heir, not its moral tutor, but its “half-brother” - kin enough to be implicated, estranged enough to be unpredictable. Bailey’s choice is doing cultural work. A half-sibling shares blood without sharing a full history, which neatly frames the United States as a nation born from Europe yet not bound by Europe’s old hierarchies. The term carries a faint Victorian suspicion, too: half-brothers in novels often bring inheritance disputes, messy origins, and uneasy legitimacy. America is related, but not entirely trusted.
Then Bailey twists the familiar melting-pot compliment into something sharper. “With something good and bad of every land” refuses the boosterish myth that immigration only “enriches” a country. The line admits a composite nation inherits virtues and vices alike: ambition and violence, idealism and exploitation, innovation and credulity. It’s a portrait of pluralism without sentimentality.
Context matters: Bailey writes as a 19th-century British poet watching the American experiment become unavoidable - politically loud, territorially hungry, commercially dynamic. Britain could neither dismiss it as a colonial upstart nor comfortably claim it as a continuation of the old world. That tension hums under the metaphor. The half-brother isn’t a neutral relation; he’s the one who might embarrass the family, outgrow it, or rewrite the household rules. Bailey’s intent is not to flatter America but to locate its power in its mongrel inheritance - and to warn that the same mixture that fuels its promise also bakes in its contradictions.
Then Bailey twists the familiar melting-pot compliment into something sharper. “With something good and bad of every land” refuses the boosterish myth that immigration only “enriches” a country. The line admits a composite nation inherits virtues and vices alike: ambition and violence, idealism and exploitation, innovation and credulity. It’s a portrait of pluralism without sentimentality.
Context matters: Bailey writes as a 19th-century British poet watching the American experiment become unavoidable - politically loud, territorially hungry, commercially dynamic. Britain could neither dismiss it as a colonial upstart nor comfortably claim it as a continuation of the old world. That tension hums under the metaphor. The half-brother isn’t a neutral relation; he’s the one who might embarrass the family, outgrow it, or rewrite the household rules. Bailey’s intent is not to flatter America but to locate its power in its mongrel inheritance - and to warn that the same mixture that fuels its promise also bakes in its contradictions.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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