"America was and is the immigrant's dream"
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America as an “immigrant’s dream” is a deliberately double-edged phrase in DeLillo’s hands: it sounds like uplift, but it carries the faint chemical smell of advertising. The line works because “dream” is both promise and product. It’s soft-focus language that has sold the country to itself for generations, and DeLillo, a novelist of noise, systems, and manufactured desire, knows how quickly a dream can be packaged, monetized, and policed.
The tense matters. “Was and is” tries to staple continuity onto a national myth at the very moment history keeps ripping it open. DeLillo isn’t writing like a civic booster; he’s registering how immigrant aspiration functions as one of America’s core narratives, sturdy enough to survive repeated contradictions. The subtext: the dream is real in its psychic pull even when it’s unreal in practice, even when the welcome mat is yanked away, even when the dream’s gatekeepers rewrite the rules.
Calling it “the immigrant’s dream” also shifts the ownership of America’s self-image. The fantasy isn’t primarily for the native-born; it’s renewed, embarrassingly, by outsiders who wager their lives on the story. That’s a compliment and an accusation. The nation that claims to be self-made depends on newcomers to keep believing in reinvention.
Contextually, DeLillo’s America is a place where narratives compete with lived experience: media scripts, political slogans, consumer seductions. This sentence is compact enough to pass as a slogan, and that’s precisely the point. It reveals how a country can mistake a story it tells about itself for moral proof, while still needing immigrants to make the story feel true.
The tense matters. “Was and is” tries to staple continuity onto a national myth at the very moment history keeps ripping it open. DeLillo isn’t writing like a civic booster; he’s registering how immigrant aspiration functions as one of America’s core narratives, sturdy enough to survive repeated contradictions. The subtext: the dream is real in its psychic pull even when it’s unreal in practice, even when the welcome mat is yanked away, even when the dream’s gatekeepers rewrite the rules.
Calling it “the immigrant’s dream” also shifts the ownership of America’s self-image. The fantasy isn’t primarily for the native-born; it’s renewed, embarrassingly, by outsiders who wager their lives on the story. That’s a compliment and an accusation. The nation that claims to be self-made depends on newcomers to keep believing in reinvention.
Contextually, DeLillo’s America is a place where narratives compete with lived experience: media scripts, political slogans, consumer seductions. This sentence is compact enough to pass as a slogan, and that’s precisely the point. It reveals how a country can mistake a story it tells about itself for moral proof, while still needing immigrants to make the story feel true.
Quote Details
| Topic | Freedom |
|---|---|
| Source | Help us find the source |
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