Art & Creativity Quote by Herman Hesse

Hesse is diagnosing a shift in the way art gets consumed: less as a private encounter and more as a self-conscious discourse. The phrase "a certain category" is doing quiet work. He doesn’t name the letters, which suggests both familiarity and fatigue; he’s seen enough of them to recognize a genre. And it’s a genre that’s "continuously growing" not because readers have suddenly become more thoughtful, but because the culture around reading is changing.

His real target is tucked into the clinical word "symptom". A symptom isn’t a virtue; it’s evidence of an underlying condition. Hesse isn’t celebrating intelligence so much as warning about "increasing intellectualization" as a kind of over-processing. The subtext is that readers are approaching literature the way they might approach a problem set or a worldview to be optimized: extracting theses, demanding explanations, turning an aesthetic experience into a correspondence course with the author as tutor.

Context matters. Hesse lived through the rise of mass education, modern criticism, and ideological pressure cooker politics in early 20th-century Europe. In that world, books weren’t just entertainment; they were weapons, badges, and proofs of seriousness. His novels often defend the inner life against systems that want to categorize and manage it. These letters, to him, likely represent the same impulse: the desire to secure literature inside a framework of "right" interpretations.

The line works because it’s polite on the surface and skeptical underneath. He sounds like a writer noting fan mail. He’s actually drawing a boundary: literature isn’t there to be administered, and the reader-writer relationship can be damaged by too much analysis masquerading as intimacy.