"An actress who has the gift of swaying the emotions of an audience, of compelling tribute of tears, or of moving the public to joyous merriment, cannot always be satisfied to set aside her whole career, in the work that she loves, simply because she is married"
About this Quote
Burke’s sentence is a velvet-gloved argument against a rule that was treated, in her era, like gravity: marriage ends a woman’s public life. She starts by stacking up the actress’s powers - “swaying,” “compelling,” “moving” - verbs that make performance sound less like frivolity and more like civic force. Tears and laughter aren’t just reactions here; they’re “tribute,” a word that quietly elevates the audience’s response into something earned, almost owed. The phrasing is strategic: she’s not asking permission for ambition so much as reminding you that the work already has value in the marketplace of feeling.
The subtext is a negotiation with respectability. Burke doesn’t reject marriage; she treats it as an insufficient reason to demand professional erasure. “Cannot always be satisfied” is doing a lot of work: it’s modest, nearly apologetic, but it also smuggles in a hard truth - fulfillment isn’t automatically delivered by becoming someone’s wife. That “simply because” is the blade. It frames the expectation as lazy logic, a social reflex rather than a moral necessity.
Context matters: Burke came up in a world where actresses were celebrated and still suspected, where “serious” womanhood was supposed to be private and self-sacrificing. Her argument reframes the actress as a worker with a gift and a calling, not a decorative accessory to a husband’s life. It’s an early, pragmatic version of “having it all,” minus the branding - less manifesto than measured refusal to disappear.
The subtext is a negotiation with respectability. Burke doesn’t reject marriage; she treats it as an insufficient reason to demand professional erasure. “Cannot always be satisfied” is doing a lot of work: it’s modest, nearly apologetic, but it also smuggles in a hard truth - fulfillment isn’t automatically delivered by becoming someone’s wife. That “simply because” is the blade. It frames the expectation as lazy logic, a social reflex rather than a moral necessity.
Context matters: Burke came up in a world where actresses were celebrated and still suspected, where “serious” womanhood was supposed to be private and self-sacrificing. Her argument reframes the actress as a worker with a gift and a calling, not a decorative accessory to a husband’s life. It’s an early, pragmatic version of “having it all,” minus the branding - less manifesto than measured refusal to disappear.
Quote Details
| Topic | Work-Life Balance |
|---|---|
| Source | Help us find the source |
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