"An alcoholic is someone you don't like who drinks as much as you do"
About this Quote
A razor-blade joke dressed up as a barroom shrug, Dylan Thomas’s line exposes how “alcoholic” often functions less as a diagnosis than as a social weapon. It’s funny because it’s true in the ugliest, most familiar way: we police other people’s appetites to protect our own. The punchline turns on a small, humiliating recognition that moral categories are frequently just taste categories. “Someone you don’t like” does the real work here, admitting the verdict is personal before it’s clinical.
The subtext is self-exoneration by comparison, a kind of informal ethics built on proximity. If the other person is “an alcoholic,” then your own matching consumption becomes, by definition, normal: convivial, literary, deserved. Thomas collapses the comforting distance between “them” and “me,” showing how quickly we swap medical language in for what is basically contempt. It’s cynicism with a pulse, aimed at the hypocrisy of respectable indulgence.
Context matters because Thomas wasn’t sniping from the outside. He was a poet mythologized for excess and ultimately damaged by it, writing from within a culture where drinking lubricated masculine camaraderie and artistic identity. Mid-century bohemia loved to frame self-destruction as temperament, even talent. The line reads like a defense mechanism sharpened into epigram: if everyone around you drinks, the only “alcoholic” is the one who embarrasses you. The joke lands, then it curdles, because it implicates the speaker as the first person doing the rationalizing.
The subtext is self-exoneration by comparison, a kind of informal ethics built on proximity. If the other person is “an alcoholic,” then your own matching consumption becomes, by definition, normal: convivial, literary, deserved. Thomas collapses the comforting distance between “them” and “me,” showing how quickly we swap medical language in for what is basically contempt. It’s cynicism with a pulse, aimed at the hypocrisy of respectable indulgence.
Context matters because Thomas wasn’t sniping from the outside. He was a poet mythologized for excess and ultimately damaged by it, writing from within a culture where drinking lubricated masculine camaraderie and artistic identity. Mid-century bohemia loved to frame self-destruction as temperament, even talent. The line reads like a defense mechanism sharpened into epigram: if everyone around you drinks, the only “alcoholic” is the one who embarrasses you. The joke lands, then it curdles, because it implicates the speaker as the first person doing the rationalizing.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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