"An audience shouldn't listen with complacency"
About this Quote
The intent isn’t anti-audience; it’s anti-passivity. Davies is pushing back against the idea of music as background refinement, where “understanding” is optional and discomfort is a programming error. Complacency, in his framing, is a moral and civic failure: if you drift through a piece the way you drift through headlines, you’re surrendering your agency. His work often demands alertness - sudden ruptures, jagged textures, references that feel like cultural memory surfacing mid-sentence. The listener has to do something: track, interpret, recalibrate.
Subtext: he’s also critiquing institutions that encourage genteel consumption. The concert hall can train audiences to applaud the familiar and endure the challenging like medicine. Davies flips that dynamic. He implies that difficulty isn’t elitism; it’s an invitation to be fully present, to let art provoke rather than reassure.
Context matters: postwar Britain’s composers were wrestling with propaganda’s residue and mass culture’s seductions. Davies’ warning is that complacency isn’t neutral - it’s how attention gets domesticated.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Davies, Peter Maxwell. (2026, January 16). An audience shouldn't listen with complacency. FixQuotes. https://fixquotes.com/quotes/an-audience-shouldnt-listen-with-complacency-107272/
Chicago Style
Davies, Peter Maxwell. "An audience shouldn't listen with complacency." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/an-audience-shouldnt-listen-with-complacency-107272/.
MLA Style (9th ed.)
"An audience shouldn't listen with complacency." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/an-audience-shouldnt-listen-with-complacency-107272/. Accessed 12 Feb. 2026.



