"An Editor becomes kind of your mother. You expect love and encouragement from an Editor"
About this Quote
The line lands with the disarming candor of someone who knew exactly how much power sits behind a polite margin note. Jackie Kennedy frames the editor not as a gatekeeper or technician, but as a surrogate parent: a figure whose authority feels personal, whose approval can steady you, and whose disappointment can sting with childhood force. It’s a quietly radical rebranding of an industry role that’s often mythologized as cold, aristocratic, and purely aesthetic.
Her choice of “mother” does double duty. It flatters the editor’s labor (nurturing, protecting, shaping) while admitting the writer’s vulnerability: even accomplished adults regress when their work is on the line. The phrase “you expect love” is the tell. Expectation implies entitlement, and Kennedy is honest about the dependency writers cultivate. A good editor becomes an emotional infrastructure, not just a professional service.
The context matters: Kennedy wasn’t only a First Lady; she later became a working editor in publishing, navigating taste, money, and prestige from inside the machine. She understood that editorial relationships are built on trust and intimacy, but also on asymmetry. Editors get to say no. Calling that dynamic maternal softens the coercive edge and makes revision feel like care rather than control.
Subtext: the glamorous public self still wanted a private sanctuary where someone would read closely, protect the voice, and reassure the author that she wasn’t alone in the work. In a life defined by scrutiny, the editor becomes the rare witness who offers both judgment and shelter.
Her choice of “mother” does double duty. It flatters the editor’s labor (nurturing, protecting, shaping) while admitting the writer’s vulnerability: even accomplished adults regress when their work is on the line. The phrase “you expect love” is the tell. Expectation implies entitlement, and Kennedy is honest about the dependency writers cultivate. A good editor becomes an emotional infrastructure, not just a professional service.
The context matters: Kennedy wasn’t only a First Lady; she later became a working editor in publishing, navigating taste, money, and prestige from inside the machine. She understood that editorial relationships are built on trust and intimacy, but also on asymmetry. Editors get to say no. Calling that dynamic maternal softens the coercive edge and makes revision feel like care rather than control.
Subtext: the glamorous public self still wanted a private sanctuary where someone would read closely, protect the voice, and reassure the author that she wasn’t alone in the work. In a life defined by scrutiny, the editor becomes the rare witness who offers both judgment and shelter.
Quote Details
| Topic | Mother |
|---|---|
| Source | Help us find the source |
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