"And being away and not performing for a long time and really connecting with my audience for a long time, I have a great responsibility to myself and to them to do it exactly the way the process was when I was young"
About this Quote
There is a quiet defiance in the way Jackie DeShannon frames comeback not as reinvention, but as a return to the original rules of the road. After time away from the stage, she doesn’t sell “growth” or “a new era.” She talks about responsibility: to herself, to the audience, to the craft. That triad matters. It positions performance as a relationship with obligations, not a content stream to be restarted when convenient.
The line “exactly the way the process was when I was young” is doing double work. On the surface, it’s nostalgia: rehearsing, building stamina, honoring the discipline that made the work real. Underneath, it’s a critique of the modern performance economy where spontaneity is branded as authenticity and where touring can feel like an algorithmic lap around attention. DeShannon’s “process” is older, slower, and harder to fake. She’s insisting that the audience deserves more than a greatest-hits autopilot set; they deserve the labor that makes the songs land.
The subtext is also about bodily reality. “Not performing for a long time” isn’t just an absence; it’s rust, vulnerability, the risk of disappointing people who remember you at full power. By anchoring herself to youth-era method, she’s choosing muscle memory over myth-making. In a culture that treats legacy artists as either museum pieces or surprise content drops, DeShannon claims a third option: show up with rigor, earn the connection again, and let professionalism be its own kind of intimacy.
The line “exactly the way the process was when I was young” is doing double work. On the surface, it’s nostalgia: rehearsing, building stamina, honoring the discipline that made the work real. Underneath, it’s a critique of the modern performance economy where spontaneity is branded as authenticity and where touring can feel like an algorithmic lap around attention. DeShannon’s “process” is older, slower, and harder to fake. She’s insisting that the audience deserves more than a greatest-hits autopilot set; they deserve the labor that makes the songs land.
The subtext is also about bodily reality. “Not performing for a long time” isn’t just an absence; it’s rust, vulnerability, the risk of disappointing people who remember you at full power. By anchoring herself to youth-era method, she’s choosing muscle memory over myth-making. In a culture that treats legacy artists as either museum pieces or surprise content drops, DeShannon claims a third option: show up with rigor, earn the connection again, and let professionalism be its own kind of intimacy.
Quote Details
| Topic | Music |
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